• October 24, 25, 31  9-11AM EST

    Jacquard Weave File Design II
    This course builds upon the fundamentals presented in Jacquard Weave File Design I.
    Join renowned digital weaver and North American TC2 representative, Cathryn Amidei for a brand new virtual curriculum to prepare you for weaving on a TC2 jacquard loom. During this three day intensive workshop, you will learn to optimize your interaction with Photoshop to create a successful digital weaving file.
    Content will focus on the development of weaves and effects using multiple shuttles, and approaches to dimensional fabrics- additional double or triple weave effects including 2 faced and double width fabrics, as well as approaches to developing files that include supplemental wefts.
      All learning styles accommodated with multiple approaches offered. All sessions will be recorded. Leave ready to weave on a TC2!   Dates: October 24, 25, 31 from 9 - 11AM EST Cost: $180 Course Maximum: 10
  • Instructor: Tony Williams Saturday, March 20, 10 – 4pm Students will explore the Art of Mark making using a variety of tools and techniques to form a resist, creating patterns and textures when dyeing with Indigo. Adire Alabela, which means wax resist, is the Yoruba version of batik. Using wood stamps, stencils, or foam rubber, beeswax or paraffin wax is applied to the fabric. The fabric is then dyed and the process is repeated with the next color. Adire Oniko is tied or wrapped with raffia to resist the dye. Two different tie-dye techniques will be taught using raffia. Stitch resist is when raffia is sewn with a needle into fabric to create design. The second process uses raffia and sometimes assorted seeds or other small items to tie designs into fabric by hand. Once the designs have been created, the fabric is dyed and dried before the raffia is taken out to show off the resist patterns. We will explore African Designs and Adire patterns while discovering the origin of Indigo in the Americas and its importance.   Tony Williams is a Cleveland based artist whose approach to works of art is like the Ashanti proverb. “You must you must act as if it’s impossible to fail.” Whether working in paper or a fabric quilt, or a pen and ink illustrations, his sense of design and line quality are always present in his work. A former student of the Cleveland Institute of Art, and a graduate of the Art of the Institute of Pittsburgh 1983, Tony uses his life experience as a catalyst for his work. A self-taught Indigo artist, costume designer and Accessory designer in New York’s garment industry have molded and shaped his view and eye for design. Tony uses his willingness to experiment and try new techniques and methods to expresses Art. Tony’s work has been shown in numerous local and national juried exhibits, international exhibitions and publications have featured his work. Tony is currently working with Indigo on paper, writing and illustrating children’s’ books.
  • Instructor: Deb Berkebile Saturday, April 24, 10 – 4pm Eco Printing is a form of natural dyeing where plant materials are bundled and use a direct contact printing method, drawing out tannins & pigments from plants to make interesting and surprising marks on  protein (silk, wool) fibers which are transferred to fabric via steaming or boiling. Two for one bundling is a favorite technique. Learn how to make an iron blanket which dramatically changes and deepens the colors of the printed leaves.You will learn how to use natural dyes on your pre-mordanted silk fabrics, and the use of color blankets. Enjoy creating your own fabulous Ecoprinted scarves.
  • Instructor: Sandy Shelenberger Saturday, May 8, 10am - 4pm Experimental Screen Printing is a combination of traditional screen printing, painting and fabric surface design. This is a great opportunity to learn about the techniques of screen printing on fabric, without the added expense of photo emulsion and a dark room. This process is great for home dyers without the equipment for a full screen printing practice. Manipulate your imagery with stencils and resists directly on the screen. Experiment with layering and mixing thickened dye. This process is full of the unknown! Experienced artists and beginners will both walk away with new knowledge and lots of results.
  • Instructor: Deb Berkebile Saturday, March 6th, 10 – 4pm

    Low Immersion Dyeing - Palette Builder

    I started using hand dyed fabric so that I could get specific colors for my upcoming projects. I mostly used batiks at first.  Hand dyes are one of the most favorite parts of my processes. It is so easy, fast and it brings the chemist out in you!  You get to mix colors just as a color engineer does! We will be referring to a great book "Color by Accident" by Ann Johnston. It is like a color bible with so much information for dyeing processes.

    In this class, you will learn the techniques of how to dye your own fabric with little water and in the least amount of time.  We can manipulate the fabric to get different markings or have your pieces a solid color.  We will be using Procion MX dyes, which are versatile and simple to use.  We will be using all safety equipment when creating our projects.

    If you are a quilter or a textile enthusiast, you will find this class chocked full of information and get you started on your own color palette for your upcoming projects.  No previous dyeing experience necessary!     About the instructor: Deb is an artist with an extensive background in textiles and quilt making. Recently, she has been exploring surface design and multi-media in her artwork. She is a naturalist and environmentalist at heart. Her current body of work explores satellite imagery and creating ‘false-color’ artistic depictions of remote sensed satellite images or Geographical Information Systems. She has eight quilts in her “Earth in Three Bands: R, G, B” Series: The Painted Desert, Eye of Sahara, The Great Salt Desert, Susitna Glacier, The Grand Canyon, Galileo Inspiration, The Great Lakes and my latest Rocky Mountain Trench. The vivid colors and their outstanding variations are what first drew her to these representations. She is also interested in activism and has been juried into the “OurStory” traveling exhibit about civil rights. Her pieces feature quilts celebrating the contributions of Martin Luther King/Rosa Parks and Sitting Bull “Lakota Warrior”. She has started a new series of work combining natural dyes and Shibori techniques. She uses rusted hand dyed fabric dipped into indigo; manipulating the fabric with an assortment of Shibori techniques has led to this series with Sashiko hand stitching for finishing numerous pieces. She creates most of the fabrics she use in her design process. she use surface design techniques, hand-dyeing and painted fabric, plus digital manipulation of images printed on fabric. She enjoys the challenges of creating original artwork that combines her passions and interests.  
  • Instructor: Jasmine Kornel Saturday, February 6, 10am-4pm This workshop will focus on exploring the array of color that can be achieved using historically cultivated natural dyes on a variety of fabrics. Students will get the opportunity to use  multiple immersion baths for layered and complex results. The basics of extraction and storage of dyes will be covered as well as some simple resist techniques to enhance color variations. All materials are included. Students are welcome to bring additional potential dye material for experimentation.  
  • Instructor: Sandy Shelenberger Saturday, April 17, 10 – 4pm Explore using soy wax as a resist on fabric to create a sophisticated look of multi-dimensional layering in easy to do steps. We will work with fabric paints and/or dyes for our color palette and discuss the layering of colors. We will make or use found objects for stamping into the fabric using the soy wax. Demonstrations of wax removal techniques. Students will be provided with individual workspaces and supplies.
  • Instructor: Jen Omaitz Saturday, May 1st 10am-4:00pm Learn the magical art of marbling on fabric with this one day intensive workshop. We will explore pattern, color and design through marbling. Marbling consist of suspending inks on on thickened water (carrageenan). The inks are then manipulated through a series of swirls, rakes and other techniques to transform them into given design. Each student will have the opportunity to experiment on paper and silk and will finish the workshop with a silk marbled scarf.
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