Upcoming Exhibitions in the Gallery at Praxis Fiber Workshop

Glint of Transition | Group Exhibition

May 7 – June 27, 2021

Opening reception (TBD whether in-person, virtual, or both): May 7, 6-8PM EST.

Description forthcoming.

Artist Bios:

Analise Minjarez is an interdisciplinary artist and arts educator from El Paso, TX. Textile binding and basketry processes in her work reflect the liminality and tension of borders. Sculptures, drawings, and videos are also used to explore both physical and psychological barriers. Minjarez received her B.F.A. in Fibers from the University of North Texas in 2013. She is currently an M.F. A. 2021 candidate at Southern Methodist University in Dallas, TX. Minjarez has taught classes at the Modern Art Museum of Forth Worth, Dallas Contemporary, Latino Cultural Center, Oak Cliff Cultural Center, Oil and Cotton, SAY Sí, and the Southwest School of Arts. Most recently, Minjarez has exhibited work at the Xolo Gallery in El Paso, TX and the Nasher Sculpture Museum in Dallas, TX as part of the 2020 Nasher Windows Series.

Sarita Westrup is an artist living and working in Penland, North Carolina. Rooted in basketry techniques and bricolage her sculptural basketry works are inspired by where she was born and raised, the Rio Grande Valley of South on the Texas – Mexico border. She received her MFA in Fibers from the University of North Texas in 2016.  Her work has been exhibited widely including recent exhibitions at the Nasher Sculpture Museum in Dallas,TX as part of the Nasher Windows Series, the Wayne Art Center in Wayne,Pennsylvania, Kentucky Museum in Bowling Green Kentucky, the Latino Cultural Center in Dallas, Texas, and form and concept in Sante Fe, New Mexico.

Avery Williamson is a multidisciplinary artist whose work explores historical and contemporary notions of the archive, Black pleasure and spatiotemporal collapse. She graduated from Harvard College with a degree in Visual and Environmental Studies. There she was awarded the Thomas Temple Hoopes Prize for extraordinary undergraduate work. Williamson has since shown work in Philadelphia, Cambridge, Nashville and Ann Arbor, and recently completed a 6-month experimental residency at The Hosting in Ypsilanti, Michigan. Her work has been featured by the Instagram Design team and the American Craft Council. Williamson currently lives and works in Ann Arbor, Michigan.

Tactile: New Directions in Textile | Group Exhibition

July 2 – August 1, 2021

Opening reception (TBD whether in-person, virtual, or both): July 2, 6-8PM EST.

This group exhibition features work inspired by the utilization of textile processes in the individual art practices of three Northeast Ohio artists and a New Yorkian outlier. Lizzie Essi, Nyki Fetterman, Megan Young, and Angela Guest employ techniques such as weaving, stitching, tufting, and punch-needle, while divulging from traditional textile media by including items like food packaging, discarded technology and ephemera, scrap fabric, and glitter.

Each artist in this show explores their relationship with material culture in a unique way. Essi and Fetterman both touch on ideas of consumerism; Essi does this through her use of discarded materials and items and Fetterman, through her depictions of food. Young playfully uses non-traditional media such as dish-sponges and soda containers in her work to explore the aesthetic properties of familiar, everyday objects found in domestic spaces. Guest meditates on the temporality and beauty of life by creating cloud-like forms made of fabric, and by attempting to piece back together scraps of fabric in order to form a whole body of fabric once more.

In the foreword of Vitamin T: Threads and Textiles in Contemporary Art, Jenelle Porter writes, “As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods.” While each artist investigates different textile processes, each process explored in Tactile: New Directions in Textile,  is repetitive and haptic in nature Essi, Fetterman, Guest, and Young, have their roots in media traditionally associated with fine art disciplines, but each artist has been drawn to creating fiber-driven work because of its tactile properties.

Tactile: New Directions in Textile was originally curated for exhibition at Summit Artspace in Akron, OH by Lindsay Gryskewich, which was on from January 15 – March 25, 2021. The original grouping of artists included Essi, Fetterman, and Young. For more information about the first showing of Tactile, and about Summit Artspace, please visit summitartspace.org.

Artist Bios:

Lizzie Essi is a multidisciplinary artist based in Cleveland (OH). In 2020, she graduated with a BFA from the Cleveland Institute of Art with a dual-degree in Painting and Sculpture + Expanded Media. Working primarily within the mediums of painting and weaving, she brings together items from a myriad of sources to create unified structures of re-contextualized material. Through the process of revaluation and reuse, Essi aims to seize potentials of materials with little conventional use and little value as commodities. These are objects found and cast off in the everyday. In 2018 Essi received the Creativity Works Grant of the Fenn Education Fund of the Cleveland Foundation, leading a two-artist exhibition at The Good Goat Gallery, Lakewood, (OH) in 2019. Essi received the Sara Mattsson Anliot Award for Excellence in Weaving in 2019 and four times received the CIA Gund Family Scholarship, Cleveland Institute of Art, Cleveland, (OH).

Nyki Fetterman is an artist and art educator living in Kent, OH. Nyki is a multi-media artist with a current focus on textiles and rug-making in-particular. Fetterman works to link craftwork traditionally viewed as feminine, to the current American political climate by way of humor and personal narrative.  Nyki has exhibited work throughout Northeast Ohio, and her work has been featured in Under the Bridge Magazine, The Devil Strip, and the Akronist.

Angela Guest was raised in Austin, Texas and then ventured to Chicago, IL to get her undergraduate education in Art, Media, and Design at DePaul University. She is currently back in school at Buffalo State College, after years of wondering what to do when she grows up, in order to become an art teacher. In 2021, Guest had a solo show at The Crucible Arts Collective, and was part of the group show Last Year On Earth at the Rochester Contemporary Arts Center. Guest is constantly creating art with her trusty studio dog, Kira, always by her side.

Megan Young is a multi-disciplinary artist living and working in Cleveland (OH). Her work advocates for a joyful, often playful interaction with art and everyday objects. She primarily makes found object artworks, weavings, and pottery. She has exhibited work locally at galleries throughout Northeast Ohio including Summit Artspace, Bostwick Design Art Initiative, and SPACES Gallery. She is the recipient of the Fred Walker Writing Prize for excellence in writing, and the Gund Family Memorial Scholarship for academic and portfolio-based achievement. Young currently teaches visual art at the Beck Center for the Arts, Lakewood (OH), and the Orange Art Center, Pepper Pike (OH).

Emerging Artist Fellowship Exhibition | Xuena Pu

August 6 – 31, 2021

Opening reception (TBD whether in-person, virtual, or both): August 6, 6-8PM EST.

Emerging Artist Fellow Xuena Pu will present a new body of work developed at Praxis.

Artist Bio:

Xuena was born and grew up in a traditional craftsman family in Kaifeng, China. She learned and practiced ancient weaving techniques in her early childhood from her grandma. She also  inherited macramé crochet and Chinese knotting from her mom. She applied most of these  techniques into her first collection – Memories, which had the debut live show in Columbus Fashion Week 2020 (one of the only 4 designers with a live show) in September. She will have a Seams fashion exhibit by Wild Goose Creative in October, and an exhibition in  November at the 2020 ITAA (International Textile and Apparel Association) Annual Conference.  Xuena holds a Masters degree in Business Administration from Central South University of China.  She received her BFA in Fashion Design from Columbus College of Art and Design in May 2020, graduating with Outstanding Senior recognition and the Easton Award.

Weathering | Tali Weinberg

September 3 – October 29, 2021

Opening reception (TBD whether in-person, virtual, or both): September 3, 6-8PM EST.

In this solo exhibition, Weinberg shares a body of work created as a practice of grieving the multiple absences and losses resulting from intertwined climate and health crises. She draws on a history of weaving as a subversive language for women and marginalized groups to craft a feminist, material archive in response to climate change. Through drawing, weaving, and fiber sculpture, she traces relationships between climate, water, extractive industry, illness, and displacement; between personal and communal loss; and between corporeal and ecological bodies.

Artist Bio:

Tali Weinberg’s work is held in public and private collections and is exhibited internationally. Recent exhibitions include the University of Colorado Art Museum, 21C Museum, Berkeley Art Museum, 108 Contemporary, Center for Craft, and Gallatin Gallery. Her work has been written about in the New York Times, Surface Design Journal, and the Tulsa Voice and was featured in “The Body Issue” of the literary Journal Ecotone. Select grants and residencies include: a three-year Tulsa Artist Fellowship, Serenbe Fiber-Focus Fellowship, Oklahoma Visual Arts Coalition Creative Projects Grant, SciArt Bridge Residency, Windgate Fellowship to Vermont Studio Center, Lia Cook Jacquard Residency, and Caldera, among others. Weinberg has taught at California College of the Arts (CCA), University of Tulsa, Penland School of Craft, and lectures and gives workshops throughout the US.

One Year, One Outfit | Group Exhibition

November 5 – December 31, 2021

Opening reception (TBD whether in-person, virtual, or both): November 5, 6-8PM EST.

The first-ever One Year, One Outfit cohort will exhibit their finished 3-piece outfits in this exciting group exhibition. All garments will have been made from materials grown in our fibershed, which is defined as the area spanning a 250-mile radius in every direction from Cleveland.